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Our Recent Posts
- Aug 12, 2022
Aesthetics of the Intruder
Scroll down for French version Faire défiler vers le bas pour la version française I am curating an individual exhibition of Esmeralda Da...
- Jul 22, 2022
Women, pleasure and computers
In this text I propose a method inspired by an innovative notion of desire and pleasure to evaluate tech creativity through a feminist...
- May 16, 2021
The Technology of Writing: And Why I Want to Redefine The Word 'Technology'
My husband Diogo Pimentão often uses tools for other purposes than the ones they were designed for. Yesterday, when he decided to dry up...
- May 8, 2021
Female Labour and Technology: a Path to Women Who Use Drawing As Their Main Language.
In Dark Ecology, Timothy Morton cites a passage of Thomas Hardy's Tess D'Urbervilles about the power used to work the fields of wheat,...
- Sep 10, 2018
Aphantasia – Imagining Beaches Through Concepts
By Georges Seurat - National Gallery, London, Public Domain, https://commons.wikimedia.org/w/index.php?curid=208117 Aphantasia is the...
- Sep 2, 2018
Not Why but How, or the Spirituality of Faecal Stains
Mary Kelly, Detail of Post Partum Document (1973 - 1979) Despite the recurrent criticism of conceptual art as a rational endeavour, it is...
- Aug 24, 2018
Could disegno and conceptualism shed a light on abstract thought?
In my research about the indexical line - the line understood as trace of a real movement and transposed to art practices - I came across...
- Mar 7, 2018
Talk at Residency Unlimited, New York: 'Following the Indexical Line' 26/02/2018
E. J. Marey and G. Demenÿ at the Station Physiologique", 1887, Marey Musem, Beaune, France,. Photo: J.-D. Lajoux. This is a small excerpt...
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