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Aug 12, 2022
Aesthetics of the Intruder
Scroll down for French version Faire défiler vers le bas pour la version française I am curating an individual exhibition of Esmeralda Da...
Jul 22, 2022
Women, pleasure and computers
In this text I propose a method inspired by an innovative notion of desire and pleasure to evaluate tech creativity through a feminist...
May 16, 2021
The Technology of Writing: And Why I Want to Redefine The Word 'Technology'
My husband Diogo Pimentão often uses tools for other purposes than the ones they were designed for. Yesterday, when he decided to dry up...
May 8, 2021
Female Labour and Technology: a Path to Women Who Use Drawing As Their Main Language.
In Dark Ecology, Timothy Morton cites a passage of Thomas Hardy's Tess D'Urbervilles about the power used to work the fields of wheat,...
Sep 10, 2018
Aphantasia – Imagining Beaches Through Concepts
By Georges Seurat - National Gallery, London, Public Domain, https://commons.wikimedia.org/w/index.php?curid=208117 Aphantasia is the...
Sep 2, 2018
Not Why but How, or the Spirituality of Faecal Stains
Mary Kelly, Detail of Post Partum Document (1973 - 1979) Despite the recurrent criticism of conceptual art as a rational endeavour, it is...
Aug 24, 2018
Could disegno and conceptualism shed a light on abstract thought?
In my research about the indexical line - the line understood as trace of a real movement and transposed to art practices - I came across...
Mar 7, 2018
Talk at Residency Unlimited, New York: 'Following the Indexical Line' 26/02/2018
E. J. Marey and G. Demenÿ at the Station Physiologique", 1887, Marey Musem, Beaune, France,. Photo: J.-D. Lajoux. This is a small excerpt...
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